Koreográfiák
Koprodukciók
2023
ÉTER – GITÁR, SZAXOFON ÉS TÁNC
Koreográfia, tánc, látvány: Batarita (H)
Zene: Szaxofon – GRENCSÓ István, Gitár – Jasper STADHOUDERS
Jelmez: HORNYÁK István
Május 27. – Magyarország, Ravazd, Pünkösdi Improvizációk Fesztiválja
RITMUS – DOB, NAGYBŐGŐ ÉS TÁNC
Koreográfia, tánc, látvány: Batarita (H)
Zene: Dob – GERÖLY Tamás, Nagybőgő – BENKŐ Róbert, AJTAI Péter
Jelmez: HORNYÁK István
Május 27. – Magyarország, Ravazd, Pünkösdi Improvizációk Fesztiválja
FAKÓ HIDEGSÉG ARANYA – ZONGORA ÉS TÁNC
Koreográfia, tánc, látvány: Batarita (H)
Zene: Zongora – KOVÁCS Öcsi Ferenc
Május 28. – Magyarország, Ravazd, Pünkösdi Improvizációk Fesztiválja
FOLYÉKONY FÉNY
Koreográfia, tánc, látvány: Batarita (H)
Zene: Nagybőgő – BENKŐ Róbert
Jelmez: HORNYÁK István
Amikor az emberi test egyé válik a sziklák mögött meghúzódó, tóba ömlő folyóval és az energiája csak fény.
Június 27. – 8. BODY.RADICAL Nemzetközi Előadóművészeti Biennálé, Magyarország, Balatonboglár, Sába-house
2022
TENGERÉG
Alkotó előadók: Batarita (H), Okuyama BARABBAS (J)
Zene: UHERKOVICH Gál Győző (H)
Ötlet: Batarita (H)
Helyi művészekkel nemzetközi koprodukcióban készült alkotása a Batarita Társulatnak.
Június 3. – Ceglédbercel
2021
TENGERÉG
Alkotó előadók: Ken MAI (J), KO Jihae (KOR), IWAOKA Tashi (J), Carmen FUMERO (S), Batarita (H)
Zene: TÓTH Barnabás (H), DOMONKOS Emőke (H), ILCIK Dániel (H), UHERKOVICH Gál Győző (H)
Ötlet: Batarita (H)
Helyi művészekkel nemzetközi koprodukcióban készült alkotása a Batarita Társulatnak.
Szeptember 15.– Pécs,
Szeptember 16. – Ceglédbercel
2019-2020
FLOWER
Choreography, dance, costume, set, visual: Batarita, SHIN Eunju
Music editor:
Life is hidden of the process of becoming an individual, in the power of the individual. The harmony within the power of individual is the true beauty of nature, Nature is full of order and confusion, harmony and entanglement, yet it flowers again and again, beyond time and space.
Batarita and SHIN Eunju created their third joint performance after 2015 and 2016. Their co-production full of sensitive intertwinement and contrast could be seen in the National Dance Theater in Budapest in 2020 following the Korean premier in November 2019.
Supporters: Busan Cultural Foundation, Touchpoint Art Foundation, Ministry of Human Capacities
Premier: 2019.11.01. – Korea, Busan, Busan Dance Theater
2020.01.17. – Hungary, Budapest, National Dance Theater
2016
NAKED MOON
Choreography, dance, costume: SHIN Eunju,
Light:
Two women arrive with special and dissonant feeling to the mystic night. Their body
Premier: 2016, E10, Budapest, Hungary
2015-2016
BEING and NOTHINGNESS
Idea, directing, video, sound and light design: KAWASAKI Yoshihiro
Choreographers and dancers: SHIN Eunju, SUMI Masayuki,
While this work does current astronomy for a hint,
It is the work that philosophy of the Buddhism was made by a backbone.
With human existence in this space and the meaning?
And with the meaning of the existence of the unit in the terrestrial world?
It progresses while asking them.
Premier: 6th
Other performance: 2016, National Dance Theater, Budapest, Hungary
WATER DROP in the FISH-EYE
Performance premier: 2015, National Dance Theatre, Budapest, Hungary
Written and directed by Batarita (Hungary)
Choreography, light:
Dancers: Batarita, PYO Sangman (South-Korea)
Music: PYO Sangman, XRC KOVÁCS Balázs (Hungary)
Costume: HORNYÁK Isty (Hungary)
Distributor, producer: Touchpoint Art Foundation (Hungary)
„I am man and woman.
I am human and animal.
I am East and West.
I am beauty and ugliness.
I am
I am creation and destruction.
I am possession and remittal.
I am love and hate.
I am God and mote.
Everything is
/Batarita/
Film premier: 2016, 26th Mediawave International Film and Music Festival competition program of HUNGARIAN DANCE AND EXPERIMENTAL FILMS, Hungary
2014
Woman, BODY
Choreography, dance
Light:
Music: KEREK István, XRC Kovács Balázs
Costumes: HORNYÁK Isty
Production assistant: PINTÉR Gábor
What does a body carry within itself? What does a body remember?
What does a woman’s body carry within itself? What does a woman’s body remember?
What do women’s bodies from four different corners of the world carry within themselves? What do women’s bodies from four different corners of the world remember?
International co-production opportunities always increase artists’ creativity, especially when this is a long-term opportunity and not just a week or two. This is
Premier: National Dance Theater, Hungary
Performed:
Auditorio
Kalyanamit –
Hidden Dimension
Performers: Batarita (H), KARAS (J)
Music: SEKINO Hideo (J)
2014 – Rakudoan Theater, Tokyo, Japan
2014 – Mediawave Festival, Komárom, Hungary
2015 – Rakudoan Theater, Tokyo, Japan
2016 – Stony Brook, New York, USA
2013
INSTANT MESSAGE
Choreography, dance: Batarita, MEGURO Daiji (J)
Music: Xrc KOVÁCS Balázs, KEREK István
Costume: HORNYÁK Isty
Light: Batarita
Bird Theater, Tottori, Japan
National Dance Theater, Budapest, Hungary
2012
SIDance Quartet: INTEN(S/T)ION
Constantin GEORGESCU (Romania) – IJODEE Dance Company (Nigeria) – Shang-Jen YUAN (Taiwan) – Batarita (Hungary)
2012 – SIDance Festival, Seoul, Korea
2013 – Atrium Theater, Budapest, Hungary
The piece is one of the outcomes of a 6-month artist residency program in Seoul given by the Ministry of Culture, Sport and Tourism of South Korea. Four choreographers were invited to create a new dance coproduction and to present at
Cupido
Choreographers, dancers: Batarita, Ken MAI (J)
Kesztyűgyár, Budapest, Hungary
2010 – 2011
Leftover Shadow
Ko Murobushi (J) &
Work in progress: 2010, Paris – France
Premier: 2011, Merlin Theatre, Budapest – Hungary
Other performances: 2011, Bratislava – Slovakia, Krakow – Poland
Leftover Shadow
The question: what is
Our bodies always live together with the new possibility and impossibility.
It means our bodies live together with our death.
Our bodies live in becomingness with nothingness.
The workshops of Ko MUROBUSHI showed great interest all around the world. Several times
In 2010 they met again in Vienna,
2009
Translucent
Yoshito Ohno &
Premier: 2009, National Dance Theatre, Budapest, Hungary
Other performance: 2011, Merlin Theater, Budapest, Hungary
Yoshito Ohno, born as
A part of the piece is based on the choreography by Tatsumi Hijikata for Yoshito Ohno when butoh was born, who later adopted, transformed it according to his own experiences. The peculiarity of the Budapest premiere in 2009 was that this time Yoshito Ohno together with Batarita attempted to reinterpret the solo made 40 years ago.
“How does human body gain power in the most lost situations? Where do these energies lead from and lead to? What does it mean to hit upon the truth of nonsense?”
Érintéspont Művészeti Alapítvány